In the listing below, articles and reviews that I have authored are listed in reverse chronological order.  Citations, republications, and other reuses of which I am aware are listed below the parent listing  in red.  If you are aware of other citations or references not listed here, please contact me by e-mail at: hastingw@northern.edu.

• Murray Knowles and Kirsten Malmkjær, Language and Control in Children’s Literature. Lion and Unicorn 22:2 (April 1998) 266-69.
  • Cited in: Gillian Adams, “Words of Power.” Children’s Literature Association Quarterly 23:4 (Winter 1998-99) 217-19.

• “Silver Anniversary Party.” Children’s Literature Association Quarterly 21:4 (Winter 1996-97) 203-04.
  • Cited in: Karin Lesnik-Oberstein, "The Psychopathology of Everyday Children's Literature Criticism." Cultural Critique 45 (Spring 2000) 222-42.

• “Bambi and the Hunting Ethos.”  Journal of Popular Film and Television 24:2 (Summer 1996)  53-59.
  • Cited in: Vincent E. Faherty, "Is the Mouse Sensitive? A Study of Race, Gender, and Social Vulnerability in Disney Animated Films."  Simile 1, 3 (August 2001)
  • On-line citation: Whole text and related assigned activities as part of Molly Ewing’s “Reading the World” course module at the College of St. Benedict/St. John’s University, Minnesota: http://www.users.csbsju.edu/~mewing/sym/spring.html#mar
  • Cited in: Janet Wasko, Understanding Disney: The Manufacture of Fantasy, Polity Press, 2001.
  • Cited in: Susan Smith Nash, "The 'Bambi Effect' - Why We Hate It When Cute Creatures (or Beliefs) Are Threatened or Harmed."  Xplanazine (On-line journal) http://www.xplanazine.com/archives/2005/02/the_bambi_effec.php 
  • Cited in: Vincent E. Faherty, "Is the Mouse Sensitive? A Study of Race, Gender, and Social Vulnerability in Disney Animated Films."  Studies in Media and Information Literacy Education 1:3 (August 2001)
  • Cited in: Angela Hawk, "'Disney-fying' Mother Nature in the Atomic Era: How Disneyland's Portrayals of Nature Reflected Post-War Ideals of Family, Child-Rearing, and the Home, 1955-1966." Explorations: An Undergraduate Research Journal 7 (2004), 7-28.

• “Moral Simplification in Disney's The Little Mermaid.” Lion and Unicorn 17:1 (June 1993) 83-92.
  • Cited in: Erica Hateley, "Of Tails and Tempests: Feminine Sexuality and Shakespearean Children's Texts," Borrowers and Lenders: The Journal of Shakespeare and Appropriation 2:1 (Spring/Summer 2006) http://atropos.english.uga.edu/cocoon/borrowers/request?id=428580
  • Cited in: June Cummins, “Romancing the Plot: The Real Beast of Disney's Beauty and the Beast,” Children's Literature Association Quarterly 20:1 (Spring 1995) 22-28
  • Cited in: Naomi Wood, “Domesticating Dreams in Walt Disney’s Cinderella,” Lion and Unicorn 20:1 (June 1996) 25-49
  • Cited in: Rhoda Zuk, “The Little Mermaid: Three Political Fables,” Children’s Literature Association Quarterly 22:4 (Winter 1997-98) 166-74.
  • Cited in: Ian Wojcik-Andrews, Children's Films. New York: Garland, 2000.
  • Cited in: Jack Zipes, Ed., The Oxford Companion to Fairy Tales. New York: Oxford UP, 2000. (p. 164)
  • Cited in: Kevin Shortsleeve, "The Wonderful World of Depression: Disney, Despotism, and the 1930s.  Or, Why Disney Scares Us." Lion and Unicorn 28:1 (January 2004) 1-30

• “Stone Walls, Iron Bars, and Liberal Political Theory: Lovelace's ‘To Althea, from Prison.’”  In Jay Ruud, Ed.  Proceedings of the First Dakotas Conference on Earlier British Literature.  Aberdeen: Northern State University Press, 1993.  74-85.
  • Suggested for further reading in: William Harmon, The Classic Hundred Poems: All-Time Favorites, Second Edition, New York: Columbia University Press, 1998. (p. 332)

• “Social Conscience and Class Relations in MacDonald’s ‘Cross Purposes’.”  In Roderick McGillis, Ed., For the Childlike: George MacDonald’s Work for Children.  Metuchen, NJ: Children's Literature Association/Scarecrow Press, 1992.  75-86.
  • Cited in: John Docherty, The Literary Products of the Lewis Carroll-George MacDonald Friendship, Lewiston, NY: Edwin Mellen, 1995.
  • Suggested for further reading in: U.C. Knoepflmacher, Ed., George MacDonald: The Complete Fairy Tales, New York: Penguin, 1999. (p. xxiii)

• Social Myth and Fictional Reality: The Decline of Fairy-Tale Thinking in the Victorian Novel. [Dissertation]
  • Cited in: Elaine Ostry, Social Dreaming: Dickens and the Fairy Tale.  New York: Routledge, 2002.