“The Devil’s Three Gold Hairs”
This story has a basic quest theme, but note how it embodies a kind of
class warfare. The king attempts to destroy the “very poor woman’s”
son because he is angry over the prophesy that this poor guy, fortune’s
child, is destined to marry the king’s daughter. The child destined
for destruction being rescued and given to adoptive parents is a motif
recognizable from the Oedipus story in Greek tragedy, and like that story,
attempts to contravene fate are doomed to failure. The king discovers
the child of fortune has escaped and engineers another plan for destroying
him - the same plan Claudius uses in Hamlet to try to rid himself of his
nephew.
The truth of the prediction that this is fortune’s child is demonstrated
by his treatment at the hand of the vicious robbers; their substitute letter
also fulfills the initial prediction. Note that this in itself could
be a complete narrative, although a very short and not very interesting
one. Only after the king returns does the real story begin, with
the impossible quest assigned - a third instance of the king seeking to
destroy the boy. Another tripling comes with his encountering three
questioners along the journey; he passes the test by promising to find
the answers from them. The boy’s reception by the devil’s wife mirrors
his reception by the old lady at the robber’s house - she switches allegiance
to him and seeks to protect him (another common motif, viz., Jack and the
Beanstalk). This suggests some literary tinkering, perhaps - few
oral tales have such perfect symmetry. Finally, the king is tricked
for his wickedness into an eternity of ferrying travelers across the river;
this might also be an echo of the Greek mythical figure of Charon, ferrying
people across the River Styx.
[Note in re being born with a caul on one’s head: A caul is part of the placental membrane that is ejected along with the child at birth. American folklore says this is a sign that the child will have second sight (according to several people on the FOLKLORE list); in Dickens’s David Copperfield, David is born with a caul and it is said to protect against death by drowning (Consider implications then in the king’s bungled attempt at infanticide). Here it is suggested that the German folk tradition equates this with simply being lucky in life; the prediction that he will marry the king’s daughter seems to be a secondary prophesy based on the supposed good fortune.]
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