| Fugue | Fugue Diagram Theory Things William Wieland |
| Fugue | an imitative contrapuntal composition that develops a theme Fugues usually incorporate three or four voices which enter one by one. |
| Subject (S) | the recurring theme of a fugue The subject is stated at the very beginning of a fugue, usually unaccompanied. |
| Answer (A) | the second (and sometimes fourth) statement of the subject transposed to the dominant (up a perfect 5th or down a perfect 4th) |
| Real Answer Tonal Answer |
an exact transposition of the subject a transposed subject which is altered to maintain the tonic key |
| Countersubject (CS) |
the theme which regularly accompanies the subject Countersubjects usually follow the initial subject statement in the same voice and therefore first accompany the answer. |
| Exposition | a section in which the complete subject appears, particularly the initial section which introduces the subject successively in each voice |
| Bridge | (a.k.a. link or codetta) a short passage in the exposition which links entries of the subject |
| Episode | a section which does not include the complete subject Episodes often employ sequences or stretto. |
| Sequence | a technique in which a motive or short figure is successively stated, the motive being transposed by equidistant intervals |
| Stretto | the introduction of two or more entries of the subject at a closer time-interval than that of the exposition to heighten the dramatic effect |
| False Entry | an incomplete subject entry often used in stretto |
| Double Fugue | a fugue which develops two subjects |
| Triple Fugue | a fugue which develops three subjects |